Miron on the margin, or: how to queer Bialoszewski? / Miron na marginesie, czyli: czy mozna squeerowac Bialoszewskiego?

February 15, 2018

The fourth public seminar organized by the Polish CRUSEV team was held at the University of Warsaw on Thursday, January 11 2018. Our guest was Joanna Nizynska, Associate Professor of Polish Literature and Culture at the Department of Slavic and East European Languages and Cultures in Indiana University, Bloomington USA. Prof. Nizynska presented excerpts from her upcoming book, a Polish translation of her study “The Kingdom of Insignificance: Miron Bialoszewski and the Quotidian, the Traumatic, and the Queer” (Northwestern UP, 2013) dedicated to the work of Miron Bialoszewski, one of the most influential Polish poets and writers of the 20th century. During her lecture, she discussed the different approaches to the use of queer theory in analyzing Polish literature, emphasizing the active role of any act of queering – perceiving “queer” not as a noun, but a verb. Nizynska closely analyzed several fragments from Miron Bialoszewski’s prose published in the 1970s, focusing on the depictions of homoerotic tensions, acts of subverting the normative, as well as the intertextual connections with more recent literary works – most importantly, Michal Witkowski’s “Lubiewo” (2005) – which form a dialogue with Bialoszewski’s early queer writing. The seminar was a chance to reflect on the complicated positioning of Polish writers within Western queer theory, the possible adaption and/or translation of queer frameworks to national literature. The ensuing discussion focused on how to overcome or challenge some of the theoretical problems facing queer-oriented scholars in their studies of Polish queer culture and history.

Miron Bialoszewski